Bringing Things Into Focus

Over a year ago, I opened PPA Magazine and was delighted to discover an article about Keith Carter. I flattened the issue to that spot, left it open on my desk, and ultimately ended up piling tons of stuff on top of it instead of reading it. Fast forward to me cleaning off my desk a couple of weeks ago, and I finally did that reading. Here is a link to the article, if you’re curious (I recommend being curious).

Me getting around to perusing this piece of writing came hot on the heels of my processing two rolls of film from our recent trip to the San Antonio Missions. Now, it’s not as if I hadn’t just recently processed a zillion rolls of film from our road trip to Colorado, but somehow those images from San Antonion really stood out to me. I mainly used my Hasselblad and HP5; it’s been a while since I shot Ilford film, and if you know me you know I am a die-hard devotee to Kodak Tri-X, but with Kodak’s current prices I thought it might be a good idea to give Ilford another look. I certainly wasn’t disappointed!

The truth is that I fart around a lot. For what feels like years, I haven’t had a great deal of focus with my photography, other than trying to build up a body of work based around road trip Polaroids. I’m still making those Polaroids (how can I not?) but the drive to build the body of work slammed to a halt when I realized that everybody and their dogs’ fleas’ uncles are making those same kind of images. The great American road trip around the Southwest on instant film? Pfft. It’s been done to death. I still love my Polaroids, but I’m not going to be making them into a book like I originally planned.

Besides Polaroids, I’ve used every camera on my shelves, every color film stock I could get my hands on, making all kinds of mistakes and going more for the atmosphere of the moment than anything else. Wherever I happened to find myself, I would make a photo. Often – SOOoooo often – these would end up kinda wonky and difficult to manage because maybe there was a light leak, maybe the film had been expired for a long time, maybe I left the pinhole open too long, or not enough. Maybe sand got into the camera, maybe it was too cold too hot I wasn’t pay attention etc etc etc. There’s been a lot of messing around and not much focus at all. I have had no need to focus, and I also didn’t want to.

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All of a sudden, however, between those San Antonio photos, the article about Keith Carter, and some extraordinarily exciting opportunities that have fallen into my lap, I want to focus. I’m ready. I see the need, and I feel the need. My heart has been put back on track and reminded of the days when my Dad first gave me my Hasselblad and I was all about one film stock, one camera. Honestly, I think my photography was stronger when I had some kind of sense of purpose and wasn’t just farting around. This isn’t to say that I don’t think there’s value in farting around: of course there is! Life has different seasons, and they’re all valuable.

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So, here I go: Hasselblad, and HP5 are going to be my partners in creativity for the next bunch of months while I work on something new that I am very excited about! News about that later, tho. For today, I leave you with these moments from the Missions.

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All images Hasselblad 500cm and Ilford HP5 developed in D76


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Responses

  1. Colin Clarke Avatar

    It is definitely smart to settle on a one camera one film concentrated month or several months. (says I, who regularly jumps from one camera to another). Apart from getting a handle on how the one film works for you and what ISO works, you get a renewed familiarity with the machinery. You and I both know that loading a HB back becomes easier the more films you load. And that pesky dark slide ceases to be pesky. And so on. And then there is “the square”. I love square compositions. And I love how the Planar draws the image. Good luck with the ‘one’ concept. I’m sure it will pay dividends. 🙏🏻

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    1. Amy Jasek Avatar

      Thank you! That’s certainly how I started, years ago – I remember I would walk around with a grey card and spot meter and measure all the different light situations in an area, then move around and photograph. It was always the same film, same camera. My dad was big on that; he taught me it was the only way to really build up a reliable relationship with your gear (and he was right). It’s hard to do that all the time tho when playing is so much fun 😀

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  2. MB Avatar

    Oh, Amy! You have a great eye. Your accompanying post about focus resonated with me big time! I’m also at a season crossroads. You inspire. xoxo

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    1. Amy Jasek Avatar

      Thank you so much MB! Send me a message sometime if you’d like to talk about that crossroads xx

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